Tian Lai:
Whose Voice?天籁：
谁的声音？

Tian Lai takes its point of departure from the idea of nature’s sounds in Zhuangzi. A curved sculptural shell and an inner acoustic space are being developed as a place to pause and listen.《天籁》从庄子关于自然之声的思考出发。曲面的雕塑外壳与内部声学空间，正在被发展为一处可以停留、聆听的场所。

Where Flying Wing invites a person to enter and become visible within a work, Tian Lai asks what becomes perceptible when that person listens. The title leaves the source of the voice open: environment, material, another person, or oneself.《放飞·翼乘》邀请人进入作品、成为可见的存在；《天籁》则追问，当人开始聆听，会感知到什么？声音可能来自环境、材料、他人，也可能来自自己。

The visualisation presents a proposed form and setting. The sculpture continues through acoustic and material development.效果图呈现拟议的形体与空间关系，作品正在继续开展声学与材料方面的创作研究。